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On the weirdo in the perspex box…

This is one of those posts that gets me into trouble with people. If you don’t like rude words, or have any particular love for David Blaine then walk away! Walk away!

So I want to talk a bit about David Blaine. Hardly the most auspicious reason to get myself back into the weblogging habit after a difficult week, I admit, but I have to vent. I mean – can it really be true that the British are evil for finding him so… ludicrous? Hasn’t anyone noticed? I mean, surely it’s obvious? You talk to American friends over AIM and they’re all, “Oooh, you’ve done it now… We’re pulling out the Blaine inspectors. And then we’re going to have to invade!”

The British don’t have a “healthy disrespect” for celebrity and if you’ve been told that, then you’ve basically been lied to by a professional Englishman-abroad or by some weird kind of Dick Van Dyke cod-Anglo-faker. The British don’t have a healthy disrespect for anything at all, they’re just grumpy old sods who don’t really like anyone who sets themselves above the rest of the herd. Basically if we don’t fancy them and if we don’t want to be them, then we pretty much hate their guts. While they’re funny or cool or interesting – well that’s great – but a chink in the armour and we strike. That’s why British celebrities after a while have to either treat the whole thing as a bit of a job or as a bit of a joke. The most successful take the piss a bit. They go, “It’s Ok! I understand! I get it too! They give me lots of money and I sing songs and have lots of sex, but I’m just like you lot! I think it’s all dumb too!” That’s why people get a bit bored when Robbie Williams writes songs about his inner pain. Whatever you do, you mustn’t believe the hype. Or you mustn’t show that you believe the hype or the cry of ‘wanker’ will resound from hill and dale, from weir to West Wittering…

Meanwhile across the Atlantic, the press is confused. Surely the British are terribly terribly polite? But they’re always so modest and quiet when you see them on television… Well now you know why! The secret need for fame may burn bright in our hearts, but for many people it would be far too embarrassing to admit it. There’s always the secret desire for the banana skin lying provocatively in the path of those who think their farts smell of summer blossom and happy fairies. And there’s always the fear of that self-same skin lying in wait ready to cut us – quite rightly – back down to size. It’s just not the same in the States – where aspiration is celebrated and failure mourned. There each person who becomes huge is an indication that you too could make it if you just ate less mexican food and got your teeth fixed. If you did that in England you’d just get duffed up by some bloke with a bit of a lazy eye who thought you were checking out his girlfriend. Inevitably.

Weirdly, though, the whole trans-Atlantic miscommunication has a menacing side. Several of my American friends have asked me – quite genuinely and quite nervously – whether the vilification of Blaine is somehow representative of the British position towards America. But I must confess it is not – while the image of the USA giving up on the Stars and Stripes as a symbolic representation of their country and instead stringing-up Blaine has a certain visceral appeal to me, I can’t see it happening. Blaine is not being attacked because he is American. But there is a connection with the slathering excesses of fringe America – and that’s to do with the fundamental connection between American celebrities and total and absolute unmitigated bullshit.

I’ll give you an example. Jennifer Lopez somehow managed to claim that being ‘for real’ was – for her- ‘like breathing’ – that she was indeed still Jenny from the Block. But in fact she was possibly the least grounded human being since Yuri Gagarin – and everyone knew it! But it didn’t matter – they still lapped it up shamelessly. Blaine is radically post-Lopez (po-lo?) in the scale of his attempts to turn pure shit into gold – hence the in-box nappy – and that’s the aspect that the British can’t forgive. So why is he hated? It’s not because he’s American and it’s not because the British are evil. Fundamentally, simply, basically, finally he’s just hated because he’s a twat. It’s just that in America, many more twats get famous…

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Hence the paucity of updates…

The last few days – it has to be said – have not been the easiest of my time on the web. I’ve been spending more time that I would like dealing with problems on Barbelith trying to work out where to take the board next. The board has experienced long-term problems that only recently have reappeared – in the process forcing me to recast our battle in terms of an ongoing stalemate. There seem to be only two options available to me at this point – neither of which I’m particularly comfortable with. I either have to fight – using every mechanism in my power to resolve the situation once and for all no matter how difficult or unpleasant it gets – or I have to accomodate myself to the possibility that the situation may simply never end as long as the board survives. This in turn brings up the possibility of turning the damn thing off. Since the end of last week, this has been pretty much the only thing on my mind – whether to attack, whether to continually defend or whether to abandon the whole project. It’s been taking up more of my headspace than I would like and meant that a weekend that had been planned to be creative, exciting and rife with projects has been spent sweating, feeling desperate/trapped and being completely unable to concentrate. Hence the paucity of updates…

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Quote of the day…

“They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety,” said Benjamin Franklin.

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Design

A brief design history of plasticbag.org

I’ve wanted to do this for ages, but I’ve never had time just to push it out into the open. So, without further introduction, here’s a brief design history of plasticbag.org neé Barbelith.

Barbelith, it has to be said, had designs that predated this one. It had a number in fact. Unfortunately none of them have survived the test of time very well – files have been lost and archive.org hasn’t recorded their passing. The first vaguely well-constructed one (click on above for full screen-shot) was built by me hacking around with tables and adding things from the top down, feature at a time. It was considered quite good at the time, and remains the only single thing that I’ve designed in my life that has garnered universal good-feeling.

Barbelith Design One

My weblog started as a piece of filler to sit on the front of my barbelith.com domain, which had within it a comic-book fan-site and what was later to become The Barbelith Underground. After a while it became clear that the people who were coming for the online community or the fan-site saw my weblog as incompatible with the rest of the community. So I decided to split my efforts over two domains – and plasticbag.org was born. I spent a considerable amount of time getting a design that I was exceptionally happy with assembled over several weeks. No one liked it. No one at all… It remains one of my favourites…

plasticbag.org Design One

The main criticism of the pale-blue plasticbag.org design had been that it was too cold, so when I came to version two I made a conscious effort to make it more friendly. During the process I got terribly excited about ways of using black in tasteful and creative ways, the integration of random images into designs and the potential of right-aligning sites. I got particularly interested in ways of crafting a site that looked well-finished, which was why I put such a lot of effort into the bottom of the page – an area normally considered with distain or indifference by webloggers (with a few notable exceptions).Of my plasticbag.org designs, this is the one I look back on most fondly.

plasticbag.org Design Two

Version three of plasticbag.org came about because I was desperately pining for elements of the pale blue design which I’d always seen as representing the kind of modern disposable slightly artificial mood I’d always wanted to generate. This time, however, I was working with a classy designer of considerable repute (Denise Wilton) and she was patient enough to round robin designs with me until we came up with something I really liked and thought captured the mood of the site well enough. It had several ‘innovations’ for me – it was my first pure CSS site and the most difficult to build of anything I’ve ever made. It never worked perfectly in any browser. There was always something that made it feel wrong. It also used different style-sheets for the internal site and the front-page, so I could put content on half of the index and let it fill the page when you went into the archives. It was a nice trick, but fundamentally flawed. The text on the front-page was not a suitable width for long-reading, and I came to write smaller, more condensed pieces simply because it was all a reader could manage. Images had to be tiny to fit the width and then looked out of place internally. It was a glorious folly, but it was a folly nonetheless…

plasticbag.org design three

The design that replaced it is the one you’re looking at today – which brings us to the end of our little tour. I have nick-named this one “kottkesque”, it has some fairly obvious influences (kottke.org) and its creation came as a bit of a shock even to me. I spent an idle couple of hours thinking about what it meant to design a site for the weblog format – which was concentrated around putting long tracts of readable content on a page with almost no navigation at all, but instead quite a lot of ambient persistently useful peripheral information. And the more I thought about it, the more Jason’s work just seemed so practical – as if he’d uncovered a kind of ideal format that we should all now be looking at and working around. His was tables-based (and still is), so I pulled it over, rebuilt it in (slightly flawed) CSS and then started to try and push it in extreme directions – looking for ways to improve it in terms of branding, navigational areas and contextual information.

I’m not sure I succeeded in making that much of a contribution to what-comes-after his design scheme, except maybe in terms of abstracting navigational items in that top space. Quite possibly Jason’s design remains the clearest and most admirably platonic form of webloggery yet devised. However, I have my suspicions that his linklog/remaindered links format is pushing his format in directions it wasn’t really built to withstand, and that its showing the strain. This might be an indicator for where new investigations into weblog design should be concentrating their efforts. Perhaps erikbenson.com might have alternative lessons for us in this regard…

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Going to the Blogs…

I’ve just noticed there’s a Spiked online weblogging event going on tomorrow at the South Bank called Gone to the blogs: The blogging phenomenon in perspective. The panelists will include Brendan O’Neill, Perry de Havilland, Bill Thompson and James Crabtree. I will be there, probably looking surly in the back…

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On "At Home With Hitler"…

So Simon Waldman has been asked to take down the At Home With Hitler spread by Homes and Gardens. The full story is here. Someone’s already put up a mirror, which I can’t help thinking is a good thing. The most irritating thing about the whole debacle is that I don’t think they have an obligation to make him take it down – instead I think they’ve just decided that they don’t want to publically have their magazine linked with Hitler. I suppose I can understand the anxiety, but it is unfortunate. The article is a fascinating piece of history that we will shortly no longer have access to. I don’t know that we ever really think about that aspect of copyright – that it stops us having unmediated access to recent history…

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Oh Weblog Nostalgia… I may die…

In March 2000, I’d been a weblogger for about four months. Blogger itself wasn’t much older. The directory pages which tracked the start of each new public weblog are still up online and you can see new weblogs starting at the rate of one or two a day. The very first page on that directory contains the names that still conjure up the early weblogging experience to me – Evhead, Megnut and Onfocus, of course. But also Anil Dash, Saturn.org, Ethel the Blog, prolific.org, Prehensile Tales, WrongWayGoBack, etc. etc. If you dig around a bit, I’m in that list too somewhere – the past subtly retroactively edited by me changing the name of my site from Barbelith to plasticbag.org at a much later date…

This nascent community was in some ways not nascent at all – many of the people in that early weblogging space were just looking for a platform in which they could do something creative. In fact, I think maybe one aspect of Blogger’s initial success was how connected the initial webloggers were with earlier creative communities and individuals like Derek Powazek‘s fray and – in particular – Lance Arthur‘s epic Glassdog.net – back at the time when you could make great things online even if you couldn’t program for shit. Glassdog.net’s collection of wonderful web projects is completely lost now, unfortunately, but it was a space for many people eager to do something wonderful online. In a way, the early weblogging community was an extension – almost a sideline – of this community – a sideline that grew and grew to occupy not only much of our time, but also the time of many hundreds of thousands of other people… And in return, the communicative aspects of weblogging galvanised that community – exposing the people behind the projects, creating stated connections and creating genuine friendships, partnerships (and occasionally animosities).

A couple of days ago Meg linked through to a site which featured a quicktime movie of an amateur interview with the early Blogger crew. And all I kept thinking about when I watched it was how much I wanted to go to SXSW to meet them all back in March 2000, and how I couldn’t, and how much I wish I’d been able to. It was a fun time…

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On persuasion through fear and rhetoric…

If all I cared about was traffic, then of course I’d write more about politics. Or religion. I wrote about religion a while back, and – yeah, I got lots of traffic. And I also had to spend about two weeks fielding e-mail from people, explaining my position again and again, taking issue with people who mischaracterised my position, trying to remain at all times relatively cool headed, relatively reasonable. I wish I could say that I succeeded all fo the time.

Of course if all I cared about was traffic, then I wouldn’t have bothered. I would have let my rhetoric fly free and wild. Facts? What facts! Logic? Who cares! I’d have stripped myself of the constraints of society (Arguing fairly – pah! Accepting when you’re wrong – how retro! Looking to learn through debate rather than win through debate – ludicrous!) like I was shedding clothing, and I’d have run naked screaming through the fields of cheap attack, jingoism and name-calling! Who cares what I’m saying as long as it has the effect I desire? Who cares what tactics I use to get my point across? A win by a technicality – or a win by cheating – is still a win godammit…

If all I cared about was traffic, I’d write like James Lileks. I’d talk to people’s guts, I’d talk to their pain. I’d do whatever I could to avoid their ears and their minds. Because otherwise how would I be able to argue that being the victim of a terrorist atrocity automatically made every decision of a country – past, present and future – purer than the driven snow…? How else would I be able to argue that the only response that would be unreasonable would be atomic war…? How else would I be able to argue that anyone who even questioned this position hated humanity and was insulting the families of victims?

I’m sure James gets a lot of traffic, and I’m sure that a lot of people feel that he speaks for them and says things that they feel to be true. There are a lot of people who feel vulnerable in the world at the moment, and there are a lot of people who feel that something must be done. They’re right to feel vulnerable – we all feel vulnerable. They’re right to want to do something to make the world a better place – there’s no doubt that it could do with the help. But selling arguments on the basis of fear and bile and name-calling isn’t the way to go. If I was James I wouldn’t be able to sleep at night. And I don’t think the traffic would help…

Addendum: I’d like to apologise for the tone of this post, which was written in anger and ironically suffers from some of the same rhetorical excesses that I was taking James Lileks to task for. I do – however – still stand by the content.

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Browsers to be crippled for Flash plug-ins…

Well then, one way or another – at least for the foreseeable future – it looks like we have confirmation that we won’t all be using Flash as our dominant way of designing for the web. Via 2lmc, I’ve been directed to Zeldman’s commentary on the Eolas vs. Microsoft patent battle over web plugins. In a nutshell, Microsoft has lost their first attempt to challenge the ruling, and are starting work on removing certain plug-in-related functionality from Internet Explorer. As a result every site using Flash or Java plug-ins across the web is likely to have to rebuild aspects of their site.

So what about all of those companies that have built sites using Flash in good faith? Who do they get to take to court? Could they sue Microsoft? I’m imagining they won’t have that opportunity. It seems to me that means thousands of companies spending millions of dollars in rebuilding and future-proofing and an internet that’s less accessible and useful than it was before. I just wish I had a better sense of whose fault it was? Is it Microsoft for breaking the rules, Eolas for pushing their patent or the patent system itself?

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Apple Ipod Infographica…

So here’s a thought – the Apple Music Store has sold 10,000,000 songs. And the new iPod now has space for 10,000 songs. So if you needed a place to put all those 10,000,000 songs, you would only need 1,000 iPods. I wonder to myself – could you work out how many ‘spaces for songs’ that Apple have sold based upon their sales of the various sizes of iPods. You could then work out the average number of spaces for songs per iPod. An interesting figure would be the percentage of songs that are on an average iPod that were bought from the Apple Music Store… As Matt Jones said when I IM’d him about this – “Infographic ahoy!”