Wandering through London the other day with an old friend from University, I stumble upon Savill Row and the main London shop for Gieves & Hawkes. After a couple of seconds parsing the adverts I find myself disoriented and confused. They are extraordinarily weird. They have an ostensible father/son theme, but it’s a strange articulation of it. It’s set in weird environments more appropriate for romantic photography and using many of the same icons – the loosely hanging tie, the power differentials of looking and looked at, a rich evening light. After a while I come to view them as a strangely subversive public gay photonovella. I therefore present the four photos that they had in the window—the only four (this is not a case of selective editing)—under the title, The conquests of a Silver Fox and posit that their clothing is now mostly being marketed at older gay men of phenomenal wealth who are looking to buy gifts for their younger male companions. Or at least I’m contending that this reading is at least equally plausible as the father/son reading and that it may be intentional that both can be supported by the same imagery.
Apologies about the reflections in the glass.