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Advertising Design Humour

BP adverts look just like my site!

About a month ago I was watching television and an advert for BP appeared and goddam did their new advertising aesthetic look like my site. Now I’m not seriously suggesting that they ripped off the design of my site, but the synchronicity is pretty astonishing – particularly given that plasticbag.org used an exclusively yellow highlight for a few months early on. I tried to take a picture of the TV at the time, with no success (lots of banding and stuff) but last night I was on an escalator in a tube station and stumbled upon a huge block of billboards. And here are the pictures:

So it’s all quite funny and entertaining and everything. We’re clearly all meshed with the same zeitgeist or whatever, but in the spirit of accidental crossovers (particularly given the acronymic similarity between BP and PB.org) and inspired by a comment by Mr Paul Hammond, I’ve remixed their logo in return to make it fit with the various plasticbag.org colour schemes. Maybe I’ll use it as a logo for a while sometime in the future… Hopefully they’ll see the joke and won’t sue me or anything:

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Links for 2005-11-17

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Social Software Technology

In which Google Base launches…

Right. Now. This is interesting. Google Base has launched and is both pretty weird and pretty interesting. The concept is fundamentally pretty simple – it’s almost like a completely open content management tool where you can post a recipe or a personal profile or a classified ad or whatever kind of thing you want. The item is then added to the internet as a standalone page – A recipe for Beef & Broccoli Over Shells for example. You can then contact the poster and navigate through similar items by tags (here called ‘labels’) or search through the complete database to find events, jobs, news, products, reference articles or whatever other type of data you want to define and submit.

From a personal perspective, I don’t quite get it – there’s no obvious reason I can think of for an individual to post a recipe to the service – but from a business perspective it’s really interesting. Basically it’s a complete circumvention of the problems with the Semantic web which abandons decentralisation and microformats completely. If your company has a database of things (whether that be products or pictures or weblog posts or news articles or whatever) that it represents on the web, then Google Base suggests that you should not wait to be spidered and nor should you expect them to do all the heavy-lifting to work out what your site is about. Instead, you just bulk upload all your data to Google directly and associate each entry with your corresponding page on the web. Google get an enormous amount of new useful data to organise and present to people, while the businesses or start-ups that use the service get new interfaces created for their content, and a greater findability and navigability for their data, products and services. And when Google creates an API for the service, suddenly every data source that uses them has an API as well. That’s pretty astonishing.

It’s not all positive for the businesses or start-ups, of course. It consolidates the idea of Google or a parallel search engine as the definitive place to find out information of any kind (rather than the local brand that you usually associate with events, restaurants or whatever). And that kind of corresponds to a larger question about whether Google is gradually and systematically eating the web. And I think there are larger problems too – the lack of any form of solid identifiers that will indicate whether you’re talking about the same film or book (in the review space at least) seems to me to be am issue. But generally it’s pretty interesting.

Which brings me to a fun challenge to my old employers. My old colleague Mr Biddulph (who has been freelancing for the BBC for a few months) and Mr Hammersley (of RSS, web services and utilikilt infamy) have been working on a representation of the BBC Archives Infax database for a few months. They’ve written about it in two pieces: The BBC’s programme catalogue (on Rails) and Hot BBC Archive Action. So why not make this content more explorable and searchable (and help define the way the web understands TV and radio programming) by bulk-submitting the entire massive database to Google Base? That would be an extraordinarily interesting move…

A couple of other interesting pieces:

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Random

Links for 2005-11-16

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Navigation Radio & Music Television

Will subscription media kill broadcast?

I just got chucked a link to some video by Kevin Marks – an early pioneer of the technology that would eventually become podcasting – in which he talks about his time in broadcast as a cameraman, working at Apple and how podcasting changes everything (nostreaming.mov). It’s a fascinating few minutes of video with an interesting thesis – that subscribable media like podcasting removes the need for streaming almost completely.

My perspective is slightly different – both bigger and smaller. Because it’s not streaming that’s most affected by a combination of on demand and ‘deliver it to me’ subscribable podcast-like functionality. The main potential victim here is broadcast itself. Those of us who have Tivos or PVR functionality are already used to the idea that we don’t have to sit in front of the television when something’s being broadcast to watch our shows. And as a consequence, I very infrequently do. I watch things time-shifted by days, or hours or sometimes only by minutes – often pausing a programme at the beginning for ten or fifteen minutes so I can later skip through all the adverts. I reserve the watching of programming live for an increasingly small proportion of shows that necessaily can be watched more effectively live – live news channels or live broadcasts from events.

My sense of the future is that the role of broadcast in the delivery of television and audio programming is going to significantly diminish over the next twenty years, and a more browsable subscribable media derived from the (fairly obvious) lessons of podcasting will replace it (with an individual either subscribing through a net interface or through a truncated remote-control based lean-back experience. And I suspect the people who are going to be maintaining the intermediary platforms for this kind of experience will be the big search, navigation and media sales companies – Amazon, AOL, Apple, Google, Microsoft and Yahoo!. If they have any sense, they’ll find ways to turn their hub status into a platform for a complete democratisation of content, becoming almost neutral intermediaries for large & small companies and creative individuals to put up and distribute their programming as they see fit.

But the most interesting thing is what happens to broadcast in the absence of conventional programming. My hypothesis is that television becomes more like radio. People use radio to time-keep, to feel connected to the outside world around them, to feel like they have company. They have it backgrounded. Along with coverage of live news and live events – where broadcast is clearly the easiest distributor of the coverage – I expect TV to increasingly start fulfilling that kind of topical wallpaper and companionship role. The huge explosion of music channels and news channels in the UK over the last few years seems to bear out the desire for that kind of activity, but I suspect many more ambient, easy to digest, backgroundable media will start appearing over the next decade. In effect all programming becomes a bit like much current daytime programming – topical, conversational, relaxed – a perpetual stream of context-driven and easy-to-digest media. And when people want a challenge, they’ll just try out a new show on demand.

The death of broadcast, of course, has some other really interesting aspects. It’s pretty clear that the content creators – the people with the rights – are going to be the people able to exploit this world more effectively. And they may not need television companies or broadcasters at all to get their content out to the masses – which is likely to put the cat among the pigeons in a few parts of the industry. And then there’s all kinds of other weirdnesses – how do you get people to try your show without just broadcasting it for free? Is there a way you can open up the pilot-making process to more accurately reflect the market? I can imagine a situation whereby companies hold programmes for ransom at the pilot stage – where they wait for ten thousand people to agree to pay to subscribe to the series before they even consider making episode two. And there’s a significant question about where public sector programme-making fits into that space, and whether any of the platforms will be designed for the distribution of media free to people in a particular territory.

Anyway, I’m going to leave it there and open up the subject for further discussion. What do you think the role of broadcast is in the 21st Century? Is it on the way out? How would the market work? And what scope is there for broadcast after on-demand takes over? Anyone got any thoughts?

Categories
Navigation

Amazon, excess and the future of navigation…

Following a post from Anil (brought to my attention by new co-worker Simon Willison), I’ve been wandering around Amazon’s new tag implementation and my initial impressions are mixed. But I’m going to leave talking about that for another post. Instead I’m going to use Anil’s comments as a jumping-off point to talk about why tags are a good match for Amazon. I’m also going to try to use this post as a way of collecting together the various posts I’ve written on and around this subject.

Anil’s post seems a little suspicious of the Web 2.0 trend for functionality bandwagon-jumping. Or if it’s not suspicion, then maybe it’s just a slightly jaded wry exhaustion at seeing the same buzzwords manifesting across the internet. It’s a feeling that I share, but it’s a necessary side-effect of the way any new technology or approach gets interrogated and finally incorporated into the mainstream. To start off with you have a few trailblazers, then a period of enormous proliferation and clumsy re-implementation by people who didn’t understand the point in the first place, and then gradually powerful models emerge which reabsorb the concepts into the mainstream where they then seem ‘obvious’. Thinking back a few years, I can’t help thinking of the time when people started complaining about left-hand navigation systems. You wouldn’t dream of doing that now, and it’s not because people stopped using them, but because their use is pretty well understood and they’ve become pretty much invisible.

So the question remains – is there value in Amazon getting tags right? Anil thinks so, and so do I. And here’s why: Amazon really has two jobs: (1) helping people discover and navigate through an enormous number of products, and then (2) helping them buy those products. The latter is the more traditionally difficult, but that’s changing. At a certain point once you’ve got the price mechanics and delivery right, then the only place you can compete (and the place where a the internet really comes into its own) is in discovery and navigation.

Amazon knew this from the beginning – and attacked head-on the idea that people fundamentally want to buy the products that are right for them and that if you help them do that (by showing them peer reviews, ratings and as much data as a human can assimilate) then you’ll never go far wrong.

But this doesn’t simply hold true for Amazon – the future of media on demand, products, restaurants, places, holidays and pretty much everything else is one of excess. There’s an incredible, immense, almost impossible amount of information which people need help to explore and navigate. And people will pay for this navigational help – either in cash, or in terms of attention or even by sacrificing some of their privacy. After all, I derive enormous navigational utility from last.fm, and I pay for it with data about the music I listen to.

There’s significant value in navigation. There’s enormous value in discoverability. And anything you can do as an organisation to help people find what they’re after will bring you (or someone else) rewards. The big web search companies were the first to deal with this enormous excess and that puts them in a pretty good position for the next few decades. After that, who knows…

So you have products or programmes and you want to make them findable? The first job in making a service navigable is to identify the core component parts of the service and make them addressable. I’ve talked about that in my piece on Developing a URL structure for broadcast radio sites, and in my piece The Age of Point-at-Things. The next step is to work out some good semantic models of the objects you’re dealing with and how they inter-relate with each other. Once you’ve done that, then you need to start getting all the metadata you can find and glomming it onto the first order objects. There are all kinds of places you can get this stuff. For broadcast media (for example) you can collect information through:

  1. The Production Chain – from metadata captured while recording, through to data captured during the editing process, through to data input around the edges by production people, through to the times and dates of the broadcasts themselves.
  2. Direct (automated?) analysis of the media – from dynamic ranges of audio, text recognition, speech recognition or from taking first order production information and doing other stuff with it (like working out the average beats per minute or the genre and mood of songs that feature in a TV show
  3. Working with your audience or users -looking at the pages they’re going to, how they’re rating shows, describing them, linking to them and the like.

I’ve written tons about this kind of stuff. The work we did on Phonetags was about finding a way to get user-generated metadata about music in a way that was useful for the individual, but would generate more navigational value for the collective in a pleasing virtuous circle. Another piece on How to build on bubble-up folksonomies concerned itself with what becomes possible when you combine metadata about a node with an understanding of the semantic relationships between the component parts. And of course, most recently, the work I talked about recently On the BBC Annotatable Audio project brought many of these component parts together – identifiers, component parts, semantic relationships, audio annotation and structured data.

Fundamentally though, it’s all just a question of understanding the parts, finding ways to collect as much data and metadata as you can get and then analysing and representing that data back to your users in terms of ways of moving through product-space, programme-space or information-space. Even the recent appearance of the API is just an extension of this process. The fact is, APIs have little to do with making it possible for people to get access to the data they’ve submitted to sites or services. What they’re for is to make the core product more useful and more valuable by making it possible for other people to generate new ways of using it. They make the product architectural to the internet, and when the core operation of your business is hosting photographs or selling products, then the API generates ways in which a wider community can create new ways for your users to navigate through your core assets. Everyone wins from such a relationship – users win because they can find what they’re looking for and site-owners win because their service is more usable and open for exploration than they could ever make it alone (and because at the end of every API is a photo they host, or a programme they want you to watch, or a thing they want to sell).

A massive explosion in trustworthy ways of exploring through your data is how you turn a business from a repository or a directory into a web native, 21st century operation. And tags are nothing more than an elegant, scaleable combination of metadata-collection mechanisms with a way of representing that metadata navigationally. It’s an ideal fit for Amazon, if they get the implementation right… Which leaves only one question: did they get it right? Hopefully I’ll write up my thoughts on that later in the day…

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Links for 2005-11-15

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Links for 2005-11-11

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Links for 2005-11-10

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Links for 2005-11-09

  • Public could help BBC to index archive “Inspired by Flickr and Wikipedia, the project is a private, early-stage pilot of social software produced at BBC Radio and Music Interactive that lets listeners slice programmes into chunks that can be identified by using tags.”
  • Barbelith discusses “The Psychology Of Trolling” My community are so cool – and sometimes it’s great to remember how many skilled professionals are on the board – including mental health workers – who can really give an interesting perspective to these questions…
  • Fern Kinney – as written up by Wikipedia Currently I’m mostly in love with the song, “Together we are Beautiful” by the lovely Fern, which apparently charted at number 1 in the UK but disappeared without trace in the US
  • Front Row – as installed on the Apple iMac G5 So I had a play with this the other day in the Apple store and it’s pretty bloody sweet frankly. I’m going to need this in my flat…