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Links for 2007-04-18

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Photography

Reclaiming hard disk space from iPhoto…

A very quick microtip that I’ve just discovered since buying my new camera. When I’m taking pictures, I have the camera set to take a number of photos in a row. I do this particularly when there are low light conditions as then hopefully you can grab one shot where someone isn’t moving or your hands aren’t shaking too much from the DTs. The result of this is that when I open up iPhoto I get ten or fifteen versions of any particular shot, most of which are almost identical. I sort through them by hand, comparing them as appropriate and deleting those that are blurry or too dark to use.

However, I have just discovered that deleting something from the Library in iPhoto isn’t like deleting something from the rest of your system or even like deleting songs from iTunes. If you delete a photo it doesn’t get removed when you empty your main trash, nor does it prompt you about whether or not to delete the original file sitting on your computer anywhere. In fact, if iPhoto is keeping your originals, it will even keep a copy of photos you’ve deleted, clogging up your hard disk, pretty much in perpetuity.

The only way to get rid of the originals of photos you’ve deleted (which in my case can be ten or more two to four megabyte files for each photo I actually keep) is to explicitly use iPhotos inbuilt ‘Empty Trash’ feature, concealed nicely under the main iPhoto menu. This is a completely non-standard feature and nicely concealed. As a result it’s almost totally undiscoverable and means that if you’ve used iPhoto for a while you may very well be building up a completely unnecessary clog of large files. In my case when I finally found this feature, iPhoto asked me whether or not I wanted to delete over two thousand items taking up around eight to ten gigabytes of hard disk space. Needless to say, yes.

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Links for 2007-04-14

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Links for 2007-04-13

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Net Culture Politics Technology

The Open Rights Group Party…

As some of you know, I’m on the advisory board of ORG, the British Open Rights Group which is a non-profit organisation focused on making sure that British people have the right to use technology in reasonable ways and that their traditional rights aren’t compromised by companies using technology in restrictive ways. The organisation acts as a balance to some of the vested interests in business, government and elsewhere. It’s there to try and fight people who would rather compromise your rights to protect out of date business models than they would innovate and change. It’s there to make people aware of the abuses or errors that might result from electronic voting schemes or huge databases of information on UK citizens. It is, generally, a pretty honourable little organisation and a smaller, bottom-up version of the EFF.

But that’s not important right now. The important thing is that they’re having a party for supporters and people who are interested in their activities on Shoreditch High Street in London next Wednesday, and that you should find some way to come along.

There will be ‘public domain’ DJs celebrating the importance of publically owned culture, remixed visuals and free culture goodie bags as well as the appearance of Danny O’Brien, long time NTK nerd, EFF activist and general wit. It’s free to attend, although obviously we’re hoping it’ll result in a few more people signing up to fund ORGs activities.

The event will be at Bar Kick at 127 Shoreditch High Street, London E1 6JE from 6pm until 11pm next Wednesday 11th April. You can find more information and register for the party on the support ORG page which also includes a map and instructions for how to find the venue. Hope to see you there. There’s also a raffle

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Links for 2007-04-03

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Links for 2007-03-31

  • Matt Webb performs his latest opus at ETech 2007… I imagine a form of viral consciousness that finds a sympathic mind on earth, and then seeks to propogate itself through the conference circuit via slides, strategic pauses and enforcing hand gestures…
Categories
Design Photography

On the IA Summit, Vegas and the Leica D-LUX 3…

Tomorrow I’m going to be talking at the Information Architecture Summit in Las Vegas on a panel about Information Architecture beyond the level of the individual site. Myself, Margaret Hanley, Matt Biddulph and Lisa Chan will bet talking about the web of data, building data for reuse and all that kind of thing. You can read more about it in the IA Summit’s description of the panel: Real information architecture ‚Äì new mighty deeds. If you’re around at the event, I hope you’ll consider keeping us company and asking lots of scary questions.

In the meantime, I’m split about 50/50 between immersing myself in the conference and getting lost around Las Vegas with my new camera, the Leica D-LUX 3. I chose it because since I bought my first camphone I’ve been taking pretty terrible quality pictures, but I’ve also felt very little (if any) compulsion to take my IXUS around with me. The difference in quality between the phone and the IXUS just wasn’t significant enough to justify the extra space it would take up in my pocket. The Leica is a whole other story. It’s sufficiently good quality for me to take pictures that are dramatically superior to my phone and sufficiently powerful for me to learn about aperture and focal length and all of that stuff without having to carry around a huge SLR all day.

Which brings me to my photos. Being in Las Vegas is affording me some interesting opportunities to take some interesting shots. Here are some of the pictures I’ve managed to get together so far. You can see moreas usualon my Flickr stream:

Categories
Advertising Humour

The Gieves & Hawkes Homoerotic Photo Novella…

Wandering through London the other day with an old friend from University, I stumble upon Savill Row and the main London shop for Gieves & Hawkes. After a couple of seconds parsing the adverts I find myself disoriented and confused. They are extraordinarily weird. They have an ostensible father/son theme, but it’s a strange articulation of it. It’s set in weird environments more appropriate for romantic photography and using many of the same icons – the loosely hanging tie, the power differentials of looking and looked at, a rich evening light. After a while I come to view them as a strangely subversive public gay photonovella. I therefore present the four photos that they had in the window—the only four (this is not a case of selective editing)—under the title, The conquests of a Silver Fox and posit that their clothing is now mostly being marketed at older gay men of phenomenal wealth who are looking to buy gifts for their younger male companions. Or at least I’m contending that this reading is at least equally plausible as the father/son reading and that it may be intentional that both can be supported by the same imagery.

Apologies about the reflections in the glass.

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Links for 2007-03-23