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A plane has crashed in Queens…

The news is everywhere, but just in case you hadn’t heard – a plane has crashed in Queens in New York – there is more information here, there’s a thread at Metafilter here and Barbelith are keeping everyone up to date here.

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Film

Harry Potter: a brief review…

As Cartman said so eloquently, “Yes I’ve seen the Terrence and Philip movie – who wants to touch me? I said who wants to fucking touch me?!” The good news first – there is very little bad news at all. It’s an honourable, faithful and entertaining translation that only falls down in a few areas, and not enough for it to spoil what is essentially one of the best children’s films I’ve ever seen. Make no mistake – this is a film for kids, but nonetheless it’s a slice of tremendously good fun that I’d defy anyone not to enjoy a bit.

You couldn’t get a much more faithful adaptation than this. Almost every scene from the book appears to be in the film – which may explain its 2 1/2 hour running time. Whether or not you can effectively fit every sub-plot of the book into two and a half hours must remain a resounding ‘maybe’ – because some scenes (particularly the earliest ones) seem to have been trimmed to within an inch of their lives. But nonetheless they are almost all there – which means there is time to explore Diagon Alley, go to the zoo with the Dursleys, travel on the Hogwart’s Express, see the Great Hall’s roof sparkling like the night sky, go into the Dark Forest, visit Hagrid’s cabin and take part in a Quidditch match. And there’s also time to give even the less important characters a bit of a personality – from the man at the wand shop, to Neville Longbottom.

The adults are all actors of a distinguished British calibre – and as such seldom disappoint. Particularly impressive are Hagrid and Professor Snapes – Alan Rickman re-establishing himself in my eyes as the most astonishingly cool creature in creation. The children are more wooden – but perhaps you’d expect that – they are (ater all) really quite young. Ron is a comic genius – the boy’s timing is astonishing – but Hermione’s played at a slightly more hysterical level than one might like, and Daniel Radcliffe’s Harry can border on the plank-like. But by the end of the film you’ve bought into the whole thing so heavily that you barely notice, let alone care.

The films one failing might be it’s special effects. Harry’s new world is such a spectacle of the impossible that barely a scene goes by without some kind of CGI work having to be put together. And sometimes the strain (and cost) of maintaining such a level of wonder shows. An early scene in which an animal turns into a human has clearly been done on the cheap, and the Quidditch match alternates between extraordinarily expensive and not entirely convincing CGI players and old-fashioned (fairly obvious) misdirection. Look out for a clunker of a crash, where the broomstick-flyer falls a good few feet completely behind a fabric curtain. And one might quibble about the unnaturally even ground in the Dark Forest, or the Centaur that escaped from Shrek.

Again, there’s so much to like about the film that you can forgive it it’s minor failings – and I personally could quite cheerfully have watched yet another twenty minutes or so without getting bored. Close your eyes and jump in – you’re unlikely to be disappointed.

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Random

Harry Potter, Harry Potter, Harry Potter…

Guess who’s going to see Harry Potter in three hours time…

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The day the counter-culture died…

It’s kind of ironic that in a time where civil liberties are under more threat than ever before – with Carnivore being forced in on ISPs, and laws being pushed through that give unprecedented access into people’s personal lives – that the king of the counter-culture, Ken Kesey should have died. He will be much missed.

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Random

WorldOfWhimsy.com melts the mind…

Lose your mind in twenty seconds – while searching for a new domain name for a PWP (pointless web project), I stumbled upon WorldOfWhimsy.com – and my mind melted when the voice-over started.

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Random

British and American war news compared…

As a counterpoint to yesterday’s piece about the “No facts please – we’re British” article, there’s an article at the New York Times called British Take a Blunter Approach to War News which includes lines like this: “The range of issues and less defensive tone are wildly different from what American viewers get on network or cable news programs, which share a myopic view and a tone that says, ‘They’d love us if only they understood us.'”

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Random

The Colorgenics test always turns negative…

Forgive me if I’m a little bit cynical, but don’t these Colorgenics results look like a way of getting people to ring the hotline (which isn’t open yet). I’m not saying they’re not accurate – I just wonder if they’re being phrased in a necessarily negative way. I’ve rerun the test about four times to see if any of them are positive – and you know what, none of them are.

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Random

Salon, paywalls and the British press…

There’s an article on Salon at the moment called No facts please, we’re British, which alleges that while Americans are flocking to the British press for news and information they’re not getting in mainstream US media, much of the reason it’s not reported in the US is that the news presented simply isn’t true. Or at least this is what I believe the article is arguing. It’s very difficult to tell of course, because it’s a Salon Premium article – and I’d have to pay to read past the accusations and into any of the substance of the matter.

There’s something profoundly wrong with this approach – and ironically so under the circumstances. Salon is presenting these ideas of the totally innaccurate British media as if they were fact, and yet you have to actually cough up some dough to see if their substantiation is even vaguely plausible. So what we are left with is a presentation that will be assimilated by large numbers of people as true, when they don’t even have access to even the facts that the site has deemed supportive. We have a double level of filtering here.

Not only are we (as usual) left to believe that the arguments presented by the media are based on actual, rather than made-up, evidence, and that the interpretation they are giving them is plausible – we’re actually presented the interpretation without any evidence. You might argue that one can always pay for the information – but this is missing the point – how many people might simply now accept that the British media lies – people who migt have had a rather different intepretation if they’d been able to read the whole article.

Whatever the article actually says, there are things that an American should be aware of when reading the British media – and this may redress some of the concerns raised in the article (or it may not – remember, I haven’t been able to read it). The English press operates as much more of a spectrum than its US counterparts. There is an almost continuous spectrum between tabloid press that can be no better than The National Enquirer and high quality broadsheet publications (some with a countryside/right bias, some with a metropolitan/left bias). I can’t talk about everyone’s tastes in newspapers – or newspaper sites – but I can clarify who I am most likely to believe. You may – or may not – find this useful…

The Tabloids: Tabloid papers are generally considered to be ‘fun’, ‘low-brow’, ‘populist’ or ‘trash’ depending on who you ask. But there are substantial variations between them. The Sun is traditionally a right-wing paper – keen on Margaret Thatcher, down on immigration and ‘loony-left’ politics. Having said this, it has been supportive of New Labour at various points over the last few years. The news often takes the form of sensationalist headlines and calls to action, and varies between news and entertainment gossip and trivia. The Mirror is a much more left-wing publication and considerably less trashy than the Sun at times -particularly at the moment. But it is still essentially an easy, unthreatening read with a tendency to sensationalise.

The two worst papers in the country, from my perspective, are The Daily Mail and The Express. Unlike the tabloids, these papers have a pretense of seriousness that makes their right-wing tendencies alarming at best. They tend to speak a lot of ‘common sense’ – which in my experience is mostly a euphemism for ‘traditional family values’, itself a euphemism for reactionary politics and right-wing “string-em-up” sensationalism – albeit disguised as news.

The broadsheets tend to have the most faith in their readership of all the press – which is one good reason to read them. Of all their failings, they don’t generally tend to try to make up the minds of their readership immediately or overtly. There is one notable exception here, in my opinion, but I’m not going to dwell on it as it’s the most popular broadsheet in the country. The main papers to look out for here are The Guardian and The Telegraph and The Independent. These can loosely be categorised as: Guardian: metropolian/centre-left, Telegraph: rural/centre-right/right and Independent: centre-politics, cross-metropolitan/rural.

In many ways all three of these can be trusted with information – although for opinion they all have their particular axes to grinds. Most notably, the Telegraph – which is the best-selling broadsheet in the country, has primarily an aging rural readership, which explains why it tends further to the right of all the other quality papers. If this annoys you (and it does me), then either of the other two are trustworthy and reliable sources for information. My personal favourite (mainly because of it’s stunning web presence) is The Guardian – which has the added advantage of being the only paper in the country that has full editorial independence from the people who pay the bills – the paper is financed by a trust rather than by large media giants.

There are other papers that you might consider reading in the country – I can’t cover everything – but in my experience, the most trustworthy news comes from papers that avoid sensationalism whenever they can, and attempt to present the news in a way that allows interpretation from the reader rather than making that interpretation for them. The best way to gauge how well you’re going to get on with a paper is to view the types of headlines it puts on it’s front pages – and to compare them with other headlines from other papers on the same day. If one paper is concentrating on a completely different story to the rest, it may have privileged information – or it may have a particular axe to grind on that issue. The Telegraph is good for this – it often has headlines that bear no relation to the rest of the press on that day, because as a paper that is so-pro “Conservative” politically, it tends to take any opportunity to criticise the government – sometimes disproportionately.

And if none of these take your fancy – you can pretty much always rely on the BBC to present the news as dispassionately and honestly as possible.

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Random

Boobs, jumping and six strange months…

With a few notable differences (boobs, jumping not being pushed, chicks), this pretty much sums up much of the last six months of my life.

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The new StopEsso.com…

A worthy cause made read by noble men: the new stopesso.com.